Machine
Anime Is Science.
Our AI production lab, in public — a short science channel on Instagram and YouTube, every day in three languages.
MachineJiho Jang
One scene from an anime, one question — could that really work? — and an answer in arithmetic, in under two minutes. The premise is never mocked; we work backwards to what it would take, and the numbers grow as the episode goes on.
episodes since August 20, 2026
uploads across six accounts
total views
followers and subscribers
As of October 11, 2026.
Most watched
Views add up all six accounts. Most of them come from Instagram Reels.
Attack on Titan: can you really fly with ODM gear?
1,630,711 views
Detective Conan: a motorcycle rides a cable into a helicopter
541,455 views
Attack on Titan: how do they rip out an anchor bitten into the wall?
343,113 views
Attack on Titan: a 7,400 km wall in 100 years?
126,500 views
Detective Conan: can you really stop a 1,000-ton Ferris wheel?
86,259 views
Porco Rosso: how does his plane take off from water?
48,520 views
Six accounts, three languages
| Platform | Lang | Account | Followers |
|---|---|---|---|
| KO | @servokind.kr | 2,784 | |
| JA | @servokind.jp | 2,126 | |
| EN | @servokind | 252 | |
| YouTube | KO | @servokindkr | 180 |
| YouTube | JA | @servokindjp | 205 |
| YouTube | EN | @servokind | 42 |
Rewritten, not translated
The first three lines of the same episode (Porco Rosso) in each language. Each version is written for its own viewers.
KO
붉은 돼지의 비행정은 바다에 떠 있다가, 그대로 하늘로 올라갑니다.
물은 공기보다 800배 가까이 무겁습니다. 그 위를 달려서 날아오르는 겁니다.
포르코 씨, 대체 어떻게 뜨신 걸까요?
JA
『紅の豚』のサボイアは、海に浮かんだ状態から、そのまま空へ上がります。
水は空気より800倍近く重い。その上を走って飛び立つわけです。
ポルコさん、どうやって飛び立ったんですか。
EN
In Porco Rosso, the Savoia S twenty-one floats on the sea, then takes to the sky.
Water is about eight hundred times denser than air, and this plane runs across it.
Porco, how do you get off the water?
How an episode is made — tools and lessons →
Next: our own characters
We are pointing the same line at TapTapTopTop: shop listings and fair materials in English, Japanese and Traditional Chinese for the Taipei fair, and short print-animation films with the studio’s characters. The characters are never generated — Heeseung still carves every one; the machine handles languages, layout, motion and checking.